Here is a sneak peek of a “behind the scenes” featurette about the visual effects in Beyond the Mask. This video is a small taste of the bonus features that will be available exclusively on the Beyond the Mask DVD…coming September 8th!
In this production diary co-director Jon Erwin gives you a tour of our filming location at Legion Field in Birmingham, Alabama!
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The WOODLAWN crew has set up basecamp at a former middle school in Birmingham, Alabama. Jon Erwin (co-director) shows you around the sets we've created to fit in the period of this film!
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It's raining, it's pouring, it's all part of the filming for WOODLAWN in this third production diary!
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An unexpected discovery leads a young boy to set out to honor the true King of Christmas! But will he be able to raise enough money, and will he find what he is looking for? A heart-warming short film about the true reason to celebrate Christmas!
This is a short film that I made with my family back in 2006-2007! Enjoy!!
Hey, guys! Enjoyed the last video? Well we're excited to share the latest on what's going on with WOODLAWN with this next production diary.
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Welcome to the first behind-the-scenes production diary for WOODLAWN!
"In 1973, a spiritual awakening captured the heart of nearly every player of the Woodlawn High School football team, including its coach Tandy Gerelds. Their dedication to love and unity in a school filled with racism and hate leads to the largest high school football game ever played in the torn city of Birmingham, Alabama, and the rise of its first African American superstar, Tony Nathan."
I worked on this film back in 2010 producing the behind-the-scenes episodes. Watch them all here.
DVDs are available at your local Walmart!
We've been bursting with excitement, waiting for the moment when we can share a special 14 minute behind the scenes documentary on the making of Polycarp. That time has come!
Why tell the story of a little-known church father and his stand against Roman persecution in the 2nd Century? What led the young filmmaking team of Joe and Jerica Henline to choose a difficult historical setting for their first feature film? See how their vision is becoming reality in this behind the scenes glimpse of the upcoming feature film, Polycarp: Destroyer of Gods.
Join the Polycarp cast and crew to see what goes into re-creating the world of ancient Smyrna; from the idea stage, to the creation of authentic sets and costumes; all for the purpose of making a compelling feature-length movie that will honor the Lord Jesus Christ.
Please take a moment
to support the film on Kickstarter!!
http://kck.st/1rKGohh
Thank you all so much! We could not do this without your help!
I asked Caleb and Daniel Morris, the composers for this project, to give me some insight into how they go about writing music, and then to give me some specific details about writing for this project.
1. How did you get started writing music?
John-Clay asked us if we wanted to do the music for his first movie “The Price of Freedom” and we said yes, not really knowing anything about composing music, much less composing for film. We had done some arranging in the past, but composing was a whole new world to us. So basically it all started by just jumping in and trying to do our best.
2. Who are some of your favorite composers? Who do you study?
John Williams would definitely be on top of that list, also James Horner, John Debney and Jerry Goldsmith. I guess the “big J’s” are the favorites! As far as studying goes, we study who we like best so the list would be the same with John Williams being the one we study most.
3. If you could describe the way you write music in 5 steps what would the 5 steps be?
1. We normally try to come up with a main theme that captures the heart of the film.
2. Playing on the piano along with the movie or sometimes after we have watched a scene trying to come up with ideas and find the music that conveys the feelings and emotion of the scene. At times this can be very difficult when it is not really obvious to us what the music should be. It is essential at times to just trust our instincts in this part of the process.
3. After we have an idea of what we want the music to do with the video, we go back and organize our ideas laying out the temp track and deciding what shots we want to hit and points to emphasize.
4. Now it’s time to lay down a prominent part that we know we want, like the bass line, melody, or rhythm of the section. This gives us something to work off of, something to build the orchestration on. This brings us to the last point, orchestration.
5. This is where we add color and emotion to the basic outline, themes or motif. Deciding on what instruments make the music feel dark, light, happy, sad, or whatever mood we are trying to convey. Choosing the right instrumentation is a crucial part of how the music will sound. We play different instruments along with the main line of the section to decide on what instruments work for that specific scene, sometimes it’s just like trying to “fish” for different things to get just the right sound.
This is a high resolution screen capture of the Cubase program. (click to enlarge - it may take a second to load)
4. How do you write music with two people?
What we normally do is have one of us picking out ideas on the keyboard and the other working the computer. As we work through the scene sometimes what we’re playing on the keyboard just seems to fit. Like that’s just what it needs. Other times whoever is playing the keyboard will get a little bit right, but some parts just aren’t quite there yet. When that happens we switch. It seems to work quite well because we can give each other input and thoughts as we compose. With two people we’re able to see different things sometimes and it sure helps out when you get stuck and can’t figure out what comes next.
5. Are there any special instruments that you used for ‘Twas the Week Before Christmas’ and why?
We used a variety of chime sounding instruments to create a “Christmas” atmosphere. To name a few - Celesta, Hand bells and a Glockenspiel.
6. Any special feeling or emotions that you wanted to convey and what techniques did you use to do that?
At the very beginning you will notice high tremolo on the strings, we used this to create a “cold night” kind of feeling and brought in the high hand bell to let you know it’s the “Christmas Season.” On the part where he sees the note we used some lower strings on some dissonant chords to create a darker confused feel and ended the scene with sort of a minor chord. On the working scene we used a light feel with flute and horn doing a faster repeated note version of the theme. Also the guitar was used in this scene to give it a more motivated, diligent sound. We wanted the end to have a bigger “Christmas” feel so we used a larger orchestral setting still using some of the chime sounding instruments that you hear at the beginning with the theme coming in really slow before it says “Merry Christmas.”
Here are a couple of incomplete music samples from the project. I find it fascinating to hear music at different stages of completion.
Clip 1
Clip 2
7. How long does it take? (on average)
It all kind of depends, but I would say one minute takes us about 5-6 hours. (Lot of hard work). ☺
8. Why do you write music? What is your purpose?
Our ultimate purpose in writing music is to glorify God. We want to write music for films that accomplish this goal. Music is a powerful element of film and can be used to communicate a message to the audience in a very compelling way. We want to use this powerful element of music to compliment and uplift Christian films that exalt the Lord Jesus Christ and hold up a standard of solid biblical truth.
-Thanks to the Morris boys for the great information, and all their hard work!
WATCH - Twas the Week Before Christmas
WATCH - Behind-The-Scenes
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